Peter Polycarpou and Sally Ann Triplett revive the golden era in Falling Stars | Union Theatre, 22 & 29 November

Stars of stage and screen Peter Polycarpou (Man of La Mancha, London Coliseum; City of  Angels; Donmar Warehouse; Birds of a Feather) and Sally Ann Triplett (Finding Neverland,  Broadway; Viva Forever, Piccadilly Theatre; EastEnders) unite in the new musical Falling Stars.  Conceived and written by Polycarpou, the song cycle is an homage to the composers,  collaborators, and publishers of the 1920s, who created some of the greatest music of all time.

Falling Stars is the charming story of a lost songbook; hidden away in an antique shop on the  East Finchley High Road, its discovery unlocks the beautiful refrains of a bygone era. The entrancing production includes the earliest songs and forgotten melodies of composers who  went on to become the most famous songwriters of the century, who changed entertainment  forever.

This musical revue captures the spirit of the age as Polycarpou and Triplett serenade audiences  with the music of Charlie Chaplin, Irving Berlin, Buddy De-Silva, Ray Henderson, Vincent  Youmans, Carl Schraubstader, Arthur Freed, and Meredith Wilson. Directed by Michael Strassen (Godspell 50th Anniversary concert; Billy; Assassins), Falling Stars will be performed live at  Southwark’s Union Theatre for two nights only.

Peter Polycarpou comments, Falling Stars is a collection of songs written just after another  pandemic – the influenza pandemic of 1918, which killed at least 30 million people worldwide. 

And why did the 1920s roar like they did? Because the music of The Charleston, The Tango and  The Foxtrot were an escape from the awful social nightmare of the modern world. These songs  are a reminder of a time when song writing was both a craft and a blessed escape.

To remain Covid-Secure, and ensure social distancing is adhered to, the Union Theatre will  follow up-to-date safety regulations, reconfiguring the space to accommodate live audiences. All  auditorium seating has been replaced by grouped seating or ‘bubbles’, reducing the overall  venue capacity and increasing the floor space.

About Author /

Kath is an actor, singer and writer with a passion for theatre. She has been reviewing for At The Theatre since 2014. Kath has a Masters in Performance at Liverpool Hope University and is Creative Engagement Worker for B arts, a participatory arts organisation.

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